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- MOVIE page: Europa Report (2013)
- Rate: 6.4/10 total 3,036 votes
- Genre: Sci-Fi | Thriller
- Filming Location: Cine Magic Studios, Brooklyn, New York City, USA
- Director: Sebastin Cordero
- Stars: Sharlto Copley, Embeth Davidtz, Christian Camargo | See full cast and crew
- Original Music By: Bear McCreary
- Plot Keyword: Astronaut | Trapped In Space | Jupiter The Planet
- (in alphabetical order)
- Philip Gelatt screenplay
Europa Report (2013) Synopsis :
The whole movie is made to look like it was made from a collection of recovered video footage. The movie begins with a introductory screen saying "The Europa One mission was the first attempt to send men and women to deep space" then various camera feed showing the ship's interior is shown.......Goofs: Revealing mistakes: Katya's surname is Petrovna. But in fact "Petrovna" is Russian patronymic name and means only that her father is Pyotr. Patronymic does not identify the person. Correct surname would be Petrova.
Plot: An international crew of astronauts undertakes a privately funded mission to search for life on Jupiter's fourth largest moon. | »
Story: An international crew of astronauts undertakes a privately funded mission to search for life on Jupiter's fourth largest moon.
Produced By:
- Ben Browning known as producer
- Matt Levin known as associate producer
- Michael Maher known as executive producer
- Jeremy Kipp Walker known as executive producer
- Sharlto Copley known as James Corrigan
- Embeth Davidtz known as Dr. Samantha Unger
- Christian Camargo known as Dr. Daniel Luxembourg
- Michael Nyqvist known as Andrei Blok
- Dan Fogler known as Dr. Sokolov
- Karolina Wydra known as Dr. Katya Petrovna
- Anamaria Marinca known as Rosa Dasque
- Daniel Wu known as William Xu
- Isiah Whitlock Jr. known as Dr. Tarik Pamuk
Production Companies:
- Wayfare Entertainment
- Outpost Studios (post-production)
- Start Motion Pictures
MPAA: Rated PG-13 for sci-fi action and peril
Europa Report (2013) Review by greenmemo from United States
This is a phenomenal sci-fi movie with a realistic approach to what itwould be like to send a manned spaceship into the outer solar system,most precisely Jupiter's moon Europa, known for having an ice crustbeneath which scientists suspect exists liquid water, maybe even anocean. Six astronauts (four men and two women) make the team of theexpedition; these knowledgeable fellows unlike those from some muchbigger and dumber examples of the genre of recent memory. In theirmission they will encounter many dangers being radiation one of themost deadly, and they will take sometimes calculated risks, some othertimes crazy ones because there is no other choice. Do not get fooled bythe fact that the movie chooses the found footage format to tell thestory of these brave souls: this is nothing like Apollo XVIII; this ismore like "2001" and "Sunshine", with an atmosphere of mounting dreadand eerie cosmic landscapes reminiscent of "Alien", alternating betweenthe claustrophobic, the agoraphobic and the awe inspiring. Thenarration or I should say "assemblage" of short circuit video andspacesuits' helmets feeds is tight, and the film is so well craftedtechnically, that you get the impression you've been watching realfootage from NASA; there are also a handful of genuinely jaw droppingsequences, like the landing on the title moon (accentuated by anintense musical score), terrific weightless scenes and a terrifying"plumbing" accident towards the end of the movie. Overall, it is agreat genre achievement that will leave you wishing you could get thechance to explore the arcane mysteries of space yourself, in spite ofknowing so well that you might end up like the proverbial moth that ismesmerized by the light of the burning flame.
Europa Report (2013) Review by johnathan smith from United States
I liked this movie. It was a good sci-fi flick, but based in abelievable near-future world. The voyage is captured by stationarycameras throughout the ship and a story is patched together from them.The acting was very good. There admittedly wasn't much in the way ofcharacter development, but I didn't notice it. The whole film I washoping the story would move forward faster and faster to the end, tofind out what, if anything, was discovered, and the fate of the crew.
Mostly what I liked about it was that it wasn't over-the-topstorytelling, nor was it over-the-top with special effects. It usedthem only to tell the story that needed to be told and weren'toverused. One reviewer chastised the special effects as being poor, butI disagree. They were believable. Bad is the crap they make for theScience Fiction Channel.
This movie may not appeal to everyone precisely because it's notover-the-top. It was simple, with building tension throughout the filmand a good ending. There weren't monsters and aliens everywhere, therewas a distinct Hitchcocian feel to it.
Very good; well worth watching.
Europa Report (2013) Review by Far-Sky from United States
Europa Report is one of those low-budget sci-fi films that crops upoccasionally and starts making the rounds on genre websites (my ownfirst blush with the film was on io9.com) to create a buzz. SinceHollywood has depressingly sworn off any films that aren't megabudgettentpoles with an already-established audience anticipation index(read: sequels, remakes, or pre-existing properties), low-budget genrefilms are a rarity at best.
In the film, six astronauts embark on a mission of discovery, planningto land on (as one would expect) Europa, one of Jupiter's moons, afterrecent discoveries showed a possibility of microbial life underneathits icy oceans. What we see is the recorded video from their ship'scameras (yes, it's a found footage film) that tell the story of theirill-fated voyage.
It's a simplistic premise, and director Sebastián Cordero seems to be abit unsure of himself at the outset. The film refuses to follow alinear narrative; even before the main title appears, we join the crewmany months into their trip, and are given the knowledge that there'sobviously been an incident onboard already, one that's robbed thejourney of one of their intrepid space explorers.
Two things worried me at the outset of the film: one: themuch-ballyhooed attention to detail (the filmmakers even brought onNASA to make sure the film was meticulously designed and scientificallyaccurate) and two: that constantly-shifting timeline of the film. Thefirst point was worrisome because most films that lean so heavily ontheir technical accuracy forget to be dramatically compelling, and thesecond (similarly) because an over-reliance on storytelling gimmicksoften betrays a weak story.
Happily, neither caused the film to fail: the attention to detailenhanced rather than detracted, and while the unnecessary nonlinearityof the storytelling didn't go away until the end, it did finally calmdown enough for the audience to orient themselves. Given that I knownow how the story unfolds, I can say that it would have actually beenmore dramatically compelling for the audience if the film had just tolditself in a more straightforward manner, but ultimately it works fine(if weaker than it could have).
The bare-bones plot is aided by some smart writing that refuses to dipinto easy characterizations and instead defines its astronauts by theirmission, rather than clichéd, singular personality traits. Whilerefreshing to see, it does leave some of the characters as relativecyphers, but strong performances all around (including District 9'sSharlto Copley and The Girl with the Dragon Tattoo's Michael Nyqvist)get the film over that slight bump.
What's most gratifying about the film, however, is that it never losesits sense of awe. The film refuses to give in to the cynical pessimismof standard sci-fi fare, and its astronauts recognize the immenseimportance of their mission, particularly when things start to gosouth. Cordero keeps the tension ratcheted up, never forgetting howinnately tenuous the safety of space travel is. The performances areall good, and Copley in particular is a standout.
But what I appreciated most about the film was its tactile nature, aby-product of its low budget. The difference between models and fullyCGI creations is literally tangible. A week or so ago, I watchedDisney's 1979 film The Black Hole for the first time, and while thegreen-screening is terribly shoddy, the film's effects stand milestaller than most of the genre fare produced today, if only by virtue ofthe fact that being real, they informed the cinematography andperformances around them.
Europa Report fits in comfortably beside Duncan Jones' fantasticlow-budget Moon, and while not perfect, compares favorably to thatmodern classic. This class of film can either be a failure (see: Apollo18) or a classic (the aforementioned Moon); Europa Report isn'tflawless, but it's a great entry in the canon of smart, well-madesci-fi.
Related Search :
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